Media contact: Jelena Bojic
Assistant general manager & director of community relations
A new collaboration between the Edmonton Opera and the Edmonton Symphony Orchestra will bring three dynamic baritones to the Winspear Centre this March.
No Tenors Allowed features the Edmonton Opera Chorus and guest baritone singers Gordon Bitner, Elliot Madore and Philippe Sly on March 24, 2014, led by ESO conductor Bill Eddins. The ensemble’s program includes prominent works that will engage a wide variety of audience members.
“We have a strong relationship with the ESO in our regular production season, so it is very exciting to be able to work with them on this special performance,” said Tim Yakimec, Edmonton Opera general manager. “Edmonton has an excellent reputation as a city where the arts can flourish, and we’re excited to contribute to the vibrant arts culture through partnerships like these.”
Since 1963, the ESO and Edmonton Opera have worked together, creating a history of mutual support and creative collaboration.
“This concert represents only one of many exciting endeavours the organizations have shared during the span of their 50‐year partnership,” said AnneMarie Petrov, executive director of the ESO. “The ESO strongly believes that fostering connections and unity amongst groups with similar mandates will significantly bolster and diversify the city of Edmonton.”
The Edmonton Opera Chorus is comprised of local talent — members are lawyers, teachers, health professionals, students, and business men and women — and the Edmonton Opera is proud to be able to contribute to the city’s long‐standing choral tradition. Chorus members perform not only as part of the opera’s regular season, but also at special events and during outreach performances for audiences of all ages.
Bitner recently joined the Canadian Opera Company’s Ensemble Studio, while Madore continues as a member of the ensemble at Opernhaus Zurich. During the 2012/13 season, French‐Canadian Sly was a member of the Adler Fellowship Program at the San Francisco Opera.
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Edmonton Opera announced today it has implemented the first of several stages of “Tessitura” software, as part of a wide-ranging plan to upgrade customer experience.
Edmonton Opera CEO, Sandra Gajic, explains, “‘Tessitura’ means texture in Italian, but in voice and music it has to do with which part of the range is most used. Hence we have invested in a program with the greatest potential to meet and exceed the most needs of our customers as well as the needs of the organization.”
The Edmonton Opera Association (Edmonton Opera) held its Annual General Meeting today at the University of Alberta, Faculty Club. The event marked the conclusion of the 2010-11 season and the company’s 47th year.
The recent performance year saw more than 11,000 people attend three main stage operas, La Boheme, The Abduction from the Seraglio and Tosca, as well as a collaboration with Fringe Theatre Adventures, Barber of Barrhead.
Cavalleria Rusticana is a tale of jealousy, seduction and unrequited love. When Turiddu returns from military duty, he discovers his fiancée Lola, betrothed to another. The young villager takes revenge in the arms of a new lover and igniting the spark of a tragic chain of events. A tragedy of fiery passion and cold-blooded betrayal is experienced in this timeless Sicilian story of love and honour, justice and violence.
It is with great regret that Edmonton Opera announces the resignation of its artistic director Brian Deedrick. For the past nine years Mr. Deedrick has been an integral part of the company, helping to create a production standard of excellence. His unparalleled passion for the art form has seen the Edmonton Opera become recognized as one of the premiere arts companies in Edmonton, winning numerous awards and accolades.
Edmonton Opera is pleased to announce that our outdoor event, Opera al Fresco is sold out. This is a second annual event that takes place at the beautiful Devonian Botanic Garden, with performances by Edmonton Opera Chorus throughout the garden.
This event is a great example of the state of opera in our city; being sold out truly proves that Edmontonians love and support the opera, and we will continue our efforts to offer this wonderful art form in more places, venues, and festivals.