Media contact: Cameron MacRae, senior manager, marketing
There may only be three performances of Carmen in Edmonton this winter, but Edmonton Opera staff have been living with the production for months.
The scenery and costumes for the production, set on the verge of the Spanish Civil War in the 1930s, were built locally, in Edmonton Opera's northside production facility.
This new concept for Carmen was envisioned by director Maria Lamont, scenery designer Camellia Koo, costume designer Deanna Finnman and lighting designer David Fraser, and it will be unveiled Jan. 30 at the Jubilee.
"Our mandate is to produce great performances that showcase the powerful emotions of opera, and in Edmonton, we're really lucky that we can do that from start to finish, with talented crews who can take an idea off the page and create what you see in front of you," said Tim Yakimec, general manager and artistic director of Edmonton Opera, adding that good costumes and scenery support the narrative created by the artists.
French mezzo-soprano Géraldine Chauvet embodies the fearless Carmen, while American tenor Jeffrey Gwaltney, singing opposite Chauvet as Don José, becomes entangled in the doomed relationship. Canadian baritone Gregory Dahl returns to Edmonton in the role of Escamillo, the dashing toreador who steals Camren away from José.
Georges Bizet didn't live long enough to see the success of Carmen. Arguably now the most famous opera in the world, its music, story and concept was considered revolutionary at the time of its premiere, 150 years ago. The political undertones, referring to the war of independence, are just as applicable to the civil war.
"It is a classic boy-meets-girl story, but then he ruins his career for her, all while she meets a more handsome, successful boy," Yakimec said. "Underneath all that, the opera speaks to freedom, independence and individuality for a woman who absolutely cannot be pinned down and must be free, which was unheard of."
The media dress rehearsal for Carmen will be on Thursday, Jan. 28, 2016, at the Northern Alberta Jubilee Auditorium, at 7 p.m. Please RSVP your outlet's attendance to Cameron MacRae, senior manager, marketing, at 780-984-3634 or email@example.com.
Carmen will be performed in French with projected English translation on Saturday, Jan. 30 (8 p.m.), Tuesday, Feb. 2 (7:30 p.m.) and Thursday, Feb. 4 (7:30 p.m.).
More media releases
Edmonton Opera Association held its 49th Annual General Meeting yesterday at the MacEwan University, Alberta College Campus at 5:30 p.m. The Report to the Community was released, as well as financial statements for 2012/13 and changes to the society’s bylaws.
Irving Kipnes, past chair, thanked the board, staff, supporters and volunteers and said that he’s aware the organization is reviewing its current business model, and looking for measures that will make it more financially sustainable.
After 50 years, the Edmonton Opera still considers this just the overture. So, a new anniversary
initiative, 50 Days of Opera, seems like the perfect way to celebrate five decades of contributions to the
Edmonton arts community.
Please be aware that effective immediately, Sandra Gajic has decided to move on from the Edmonton Opera and resigned as CEO on May 2, 2013.
For the immediate future, Tim Yakimec, Director of Production, will be the Interim Business Manager for the Edmonton Opera.
Please direct any inquiries to Craig Corbett at firstname.lastname@example.org or 780.964.7604
Those who haven’t had their heart broken need not apply.
Each character in the opera Eugene Onegin has the love of something, so understanding love is key to Edmonton Opera’s production, starting in mid-April at the Northern Alberta Jubilee.
“It’s really about, in many ways, living your life with a broken heart,” said director Tom Diamond. “On the first day, when I spoke to the cast, I talked about, at my middle age, I’m kind of glad that at some point in my life, I have had my heart broken, because it equips me to direct this kind of opera.”