Nov. 13, 2014
Media contact: Gwen Horvath, fund development manager
The Edmonton Opera board of directors is pleased to announce the appointment of Tim Yakimec to the combined position of general manager and artistic director, effective immediately.
Tim’s academic training and performance experience in the performing arts, as well as extensive experience behind the scenes and at senior administration levels, provides him with the appropriate skills for this position.
Over the past year as Edmonton Opera’s general manager, Tim has demonstrated a collaborative leadership style that incorporates feedback from singers, directors, conductors, other opera directors and our own artistic advisory committee. He is a leader in listening to audience and patron feedback in order to create relevant and interesting performances within the means available to the company. Tim fosters a creative environment where all artists and staff are able to achieve success in their professions and respective departments.
The board looks forward to continuing to work with Tim Yakimec as we move Edmonton Opera forward as an exciting and sustainable performing arts force in Edmonton.
For media inquiries between Nov. 13 and 14, please contact Gwen Horvath, fund development manager, at 780-392-7837 or email@example.com. After Nov. 14, media inquiries may be directed to Cameron MacRae, senior manager, marketing, at 780-392-7830 or firstname.lastname@example.org.
More media releases
The Edmonton Opera’s 2014/15 season is one of Great Escapes, as each opera demands its principal characters perform a variety of clever and cunning exits — from a lecherous old man in The Barber of Seville, from magical beings in The Magic Flute, and from a constrained, loveless marriage in Lucia di Lammermoor.
A romantic musical comedy, Edmonton Opera’s production of Die Fledermaus opens at the Northern Alberta Jubilee Auditorium Feb. 1 (tickets are nearly sold out) and continues Feb. 4 and 6.
The media dress rehearsal will be Thursday, Jan. 30, at 11 a.m. Good visuals occur at approximately 12:20 p.m., when there is a large number of cast members and chorus on stage during the masked ball scenes.
Famous for its chaotic plot and catchy melodies written by the Waltz King Johann Strauss II, many of the artists performing in the February production of Edmonton Opera’s Die Fledermaus have a personal connection to the work.
Director Allison Grant has previously choreographed and been the assistant director four other times on the popular German opera — performed in English at the Northern Alberta Jubilee Auditorium — including a 1996 EO production under Kelly Robinson.
A new collaboration between the Edmonton Opera and the Edmonton Symphony Orchestra will bring three dynamic baritones to the Winspear Centre this March.
No Tenors Allowed features the Edmonton Opera Chorus and guest baritone singers Gordon Bitner, Elliot Madore and Philippe Sly on March 24, 2014, led by ESO conductor Bill Eddins. The ensemble’s program includes prominent works that will engage a wide variety of audience members.
Edmonton Opera Association held its 49th Annual General Meeting yesterday at the MacEwan University, Alberta College Campus at 5:30 p.m. The Report to the Community was released, as well as financial statements for 2012/13 and changes to the society’s bylaws.
Irving Kipnes, past chair, thanked the board, staff, supporters and volunteers and said that he’s aware the organization is reviewing its current business model, and looking for measures that will make it more financially sustainable.