Edmonton Symphony, Edmonton Opera partner for night of artistic excellence

Media contact: Jelena Bojic
Assistant general manager & director of community relations
jelena.bojic@edmontonopera.com; 780-392-7837

A new collaboration between the Edmonton Opera and the Edmonton Symphony Orchestra will bring three dynamic baritones to the Winspear Centre this March.

No Tenors Allowed features the Edmonton Opera Chorus and guest baritone singers Gordon Bitner, Elliot Madore and Philippe Sly on March 24, 2014, led by ESO conductor Bill Eddins. The ensemble’s program includes prominent works that will engage a wide variety of audience members.

“We have a strong relationship with the ESO in our regular production season, so it is very exciting to be able to work with them on this special performance,” said Tim Yakimec, Edmonton Opera general manager. “Edmonton has an excellent reputation as a city where the arts can flourish, and we’re excited to contribute to the vibrant arts culture through partnerships like these.”

Since 1963, the ESO and Edmonton Opera have worked together, creating a history of mutual support and creative collaboration.

“This concert represents only one of many exciting endeavours the organizations have shared during the span of their 50‐year partnership,” said AnneMarie Petrov, executive director of the ESO. “The ESO strongly believes that fostering connections and unity amongst groups with similar mandates will significantly bolster and diversify the city of Edmonton.”

The Edmonton Opera Chorus is comprised of local talent — members are lawyers, teachers, health professionals, students, and business men and women — and the Edmonton Opera is proud to be able to contribute to the city’s long‐standing choral tradition. Chorus members perform not only as part of the opera’s regular season, but also at special events and during outreach performances for audiences of all ages.

Bitner recently joined the Canadian Opera Company’s Ensemble Studio, while Madore continues as a member of the ensemble at Opernhaus Zurich. During the 2012/13 season, French‐Canadian Sly was a member of the Adler Fellowship Program at the San Francisco Opera.

More media releases

Fidelio

Beethoven brings it all – love, heroism, passion and marvelous music.  Performed for the very first time in Alberta, this opera is a new production, including sets and costumes.

The Mikado

Is nothing sacred anymore? In their own topsy-turvy way, Death itself is the latest sacred cow to be skewered by the rapier pen of Gilbert and Sullivan. All of this is tastily tempura'd and tied up in a big pink obi by three little Japanese maids from school. We all benefit from a little meiosis every now and then - a drastic understatement of the situation - and what better way to stick it to mortality than by whistling "Tit-willow, tit-willow, tit-willow?" Come on, we all have our own little lists of folks who won't be missed.

The Mikado

Is nothing sacred anymore? In their own topsy-turvy way, Death itself is the latest sacred cow to be skewered by the rapier pen of Gilbert and Sullivan. All of this is tastily tempura'd and tied up in a big pink obi by three little Japanese maids from school. We all benefit from a little meiosis every now and then - a drastic understatement of the situation - and what better way to stick it to mortality than by whistling "Tit-willow, tit-willow, tit-willow?" Come on, we all have our own little lists of folks who won't be missed!

Tessitura

Edmonton Opera announced today it has implemented the first of several stages of “Tessitura” software, as part of a wide-ranging plan to upgrade customer experience.

Edmonton Opera CEO, Sandra Gajic, explains, “‘Tessitura’ means texture in Italian, but in voice and music it has to do with which part of the range is most used. Hence we have invested in a program with the greatest potential to meet and exceed the most needs of our customers as well as the needs of the organization.”

Annual General Meeting Release

The Edmonton Opera Association (Edmonton Opera) held its Annual General Meeting today at the University of Alberta, Faculty Club. The event marked the conclusion of the 2010-11 season and the company’s 47th year.

The recent performance year saw more than 11,000 people attend three main stage operas, La Boheme, The Abduction from the Seraglio and Tosca, as well as a collaboration with Fringe Theatre Adventures, Barber of Barrhead.

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