Edmonton Symphony, Edmonton Opera partner for night of artistic excellence

Media contact: Jelena Bojic
Assistant general manager & director of community relations
jelena.bojic@edmontonopera.com; 780-392-7837

A new collaboration between the Edmonton Opera and the Edmonton Symphony Orchestra will bring three dynamic baritones to the Winspear Centre this March.

No Tenors Allowed features the Edmonton Opera Chorus and guest baritone singers Gordon Bitner, Elliot Madore and Philippe Sly on March 24, 2014, led by ESO conductor Bill Eddins. The ensemble’s program includes prominent works that will engage a wide variety of audience members.

“We have a strong relationship with the ESO in our regular production season, so it is very exciting to be able to work with them on this special performance,” said Tim Yakimec, Edmonton Opera general manager. “Edmonton has an excellent reputation as a city where the arts can flourish, and we’re excited to contribute to the vibrant arts culture through partnerships like these.”

Since 1963, the ESO and Edmonton Opera have worked together, creating a history of mutual support and creative collaboration.

“This concert represents only one of many exciting endeavours the organizations have shared during the span of their 50‐year partnership,” said AnneMarie Petrov, executive director of the ESO. “The ESO strongly believes that fostering connections and unity amongst groups with similar mandates will significantly bolster and diversify the city of Edmonton.”

The Edmonton Opera Chorus is comprised of local talent — members are lawyers, teachers, health professionals, students, and business men and women — and the Edmonton Opera is proud to be able to contribute to the city’s long‐standing choral tradition. Chorus members perform not only as part of the opera’s regular season, but also at special events and during outreach performances for audiences of all ages.

Bitner recently joined the Canadian Opera Company’s Ensemble Studio, while Madore continues as a member of the ensemble at Opernhaus Zurich. During the 2012/13 season, French‐Canadian Sly was a member of the Adler Fellowship Program at the San Francisco Opera.

More media releases

Cast of characters blame it on the champagne for Die Fledermaus

A romantic musical comedy, Edmonton Opera’s production of Die Fledermaus opens at the Northern Alberta Jubilee Auditorium Feb. 1 (tickets are nearly sold out) and continues Feb. 4 and 6.

The media dress rehearsal will be Thursday, Jan. 30, at 11 a.m. Good visuals occur at approximately 12:20 p.m., when there is a large number of cast members and chorus on stage during the masked ball scenes.

Young North American cast creates bubbly atmosphere for Die Fledermaus

Famous for its chaotic plot and catchy melodies written by the Waltz King Johann Strauss II, many of the artists performing in the February production of Edmonton Opera’s Die Fledermaus have a personal connection to the work.

Director Allison Grant has previously choreographed and been the assistant director four other times on the popular German opera  — performed in English at the Northern Alberta Jubilee Auditorium — including a 1996 EO production under Kelly Robinson.

Edmonton Symphony, Edmonton Opera partner for night of artistic excellence

A new collaboration between the Edmonton Opera and the Edmonton Symphony Orchestra will bring three dynamic baritones to the Winspear Centre this March.

No Tenors Allowed features the Edmonton Opera Chorus and guest baritone singers Gordon Bitner, Elliot Madore and Philippe Sly on March 24, 2014, led by ESO conductor Bill Eddins. The ensemble’s program includes prominent works that will engage a wide variety of audience members.

Edmonton Opera 2012/13 AGM

Edmonton Opera Association held its 49th Annual General Meeting yesterday at the MacEwan University, Alberta College Campus at 5:30 p.m. The Report to the Community was released, as well as financial statements for 2012/13 and changes to the society’s bylaws.

Irving Kipnes, past chair, thanked the board, staff, supporters and volunteers and said that he’s aware the organization is reviewing its current business model, and looking for measures that will make it more financially sustainable.

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