Media Advisory

May 3, 2013
Media Contact Craig Corbett, Board of Directors
780.964.7604; ccorbett@lsgp.ca

Please be aware that effective immediately, Sandra Gajic has decided to move on from the Edmonton Opera and resigned as CEO on May 2, 2013.

For the immediate future, Tim Yakimec, Director of Production, will be the Interim Business Manager for the Edmonton Opera.

Please direct any inquiries to Craig Corbett at ccorbett@lsgp.ca or 780.964.7604

More media releases

Donizetti's Duelling Queens Face-off in Alberta Premiere

This April, audiences will witness the dramatic showdown between two famous Tudor queens in Edmonton Opera’s season clincher, the Alberta premiere of Donizetti’s Mary Stuart.

Queen Elizabeth I and her cousin Mary Stuart, Queen of Scots, never got along. Elizabeth was always afraid her Catholic cousin would usurp her throne, and kept Mary prisoner for 20 years before having her beheaded. Their rivalry, however, was only ever carried out by letter—the two queens never met.

New concept for familiar piece at Edmonton Opera

There may only be three performances of Carmen in Edmonton this winter, but Edmonton Opera staff have been living with the production for months.

The scenery and costumes for the production, set on the verge of the Spanish Civil War in the 1930s, were built locally, in Edmonton Opera's northside production facility.

This new concept for Carmen was envisioned by director Maria Lamont, scenery designer Camellia Koo, costume designer Deanna Finnman and lighting designer David Fraser, and it will be unveiled Jan. 30 at the Jubilee.

Opera's ultimate femme fatale opens in Edmonton

Bizet's story of passionate, destructive love heats up the Jubilee stage this winter, in a new production of Carmen

The new concept, envisioned by director Maria Lamont, scenery designer Camellia Koo, costume designer Deanna Finnman and lighting designer David Fraser, sets the action within the tumultuous years leading up to the Spanish Civil War in the 1930s. 

"The intense passion and doomed love of Don José and Carmen touches us because we all understand the attraction and ultimate impossibility of a certain kind of love," Lamont wrote in her director's notes.

Edmonton Opera opens season with high-kicking musical comedy

A dash of romance, a scoop of comedy and a pinch of schemes is the recipe for The Merry Widow, the musical confection that opens Edmonton Opera's 2015/16 season.

All of Paris' eligible bachelors are vying for a place on the rich widow Hanna's dance card, but it spells financial ruin for the small nation of Pontevedro if she falls in love with a foreigner. In their own way, each of the characters strives for a happy ending, but it's Hanna (sung by Canadian soprano Sally Dibblee) who skilfully guides and nutures the huge emotion known as love throughout the story.

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