The Mikado

Is nothing sacred anymore? In their own topsy-turvy way, Death itself is the latest sacred cow to be skewered by the rapier pen of Gilbert and Sullivan. All of this is tastily tempura'd and tied up in a big pink obi by three little Japanese maids from school. We all benefit from a little meiosis every now and then - a drastic understatement of the situation - and what better way to stick it to mortality than by whistling "Tit-willow, tit-willow, tit-willow?" Come on, we all have our own little lists of folks who won't be missed.

From left to right: Dionne Sellinger as Peep-Bo, Andriana Chuchman as Yum-Yum
and Erin Lawson as Pitti-Sing.

Director Robert Herriot returns to Edmonton Opera, bringing unique vision of The Mikado. Edmonton Opera’s Costume Designer Deanna Finnman designed and built custom-made costumes, specifically for this cast and production. “I have always had an interest in Japanese fashion and street culture, so when we began talking about a modern Mikado that is where I began to draw inspiration from.”


Edmonton Opera presents The Mikado at the Northern Alberta Jubilee Auditorium on Saturday February 4th, Tuesday February 7th and Thursday February 9th. For more information please visit www.edmontonopera.com or call 780.424.4040.

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Media Advisory

Please be aware that effective immediately, Sandra Gajic has decided to move on from the Edmonton Opera and resigned as CEO on May 2, 2013.

For the immediate future, Tim Yakimec, Director of Production, will be the Interim Business Manager for the Edmonton Opera.

Please direct any inquiries to Craig Corbett at ccorbett@lsgp.ca or 780.964.7604

Themes of fate, broken hearts drive Eugene Onegin opera

Those who haven’t had their heart broken need not apply.

Each character in the opera Eugene Onegin has the love of something, so understanding love is key to Edmonton Opera’s production, starting in mid-April at the Northern Alberta Jubilee.

“It’s really about, in many ways, living your life with a broken heart,” said director Tom Diamond. “On the first day, when I spoke to the cast, I talked about, at my middle age, I’m kind of glad that at some point in my life, I have had my heart broken, because it equips me to direct this kind of opera.”

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