Spotlight on male arias

Edmonton Opera Blog

Spotlight on male arias

Inspired by the 30-Day Opera Challenge done by Austin Lyric Opera, the staff at the Edmonton Opera have taken on their own 30-day challenge. Each week, we'll post answers from staff members about various aspects of opera, whether it's their favourite aria, an opera house they'd like to visit or their opinion on a genre. We welcome comments about your own take on the question, either on the blog or via social media.

Name your favourite male aria.

Michael Spassov, chorusmaster & artistic adminstrator: Nemico della patria, from Andrea Chenier, the monologue from Boris Godunov, News from Nixon in China or Il balen del suo sorriso from Il Trovatore.

Jessica McMillan, administrative assistant: Mine would have to be Rossini's Largo al Factotum from Barber of Seville — the flute part is hilariously fun to play! 

Sandra Gajic, CEO: Kuda, Kuda, which is Lenski's aria from Eugene Onegin. It breaks my heart and brings tears to my eyes every time I hear it. 

Catherine Szabo, communications coordinator: I can't remember who commented that Celeste Aida was a hard aria, because it occurs so early in Aida. And for some reason, I didn't expect to like it — but I can't believe how pretty it is and how much I do like it. 

Jelena Bojic, director of community relations: The legend of Kleinzach, in Les Contes d'Hoffmann. It's so catchy and gets stuck in my head.


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